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moreIn 1966
a German architect of Russian origin
Amèlia Riera
the value of suffering
Notes on 41 typography moreIn 1966In the beginning was the word. Or rather, a rumour that put Max Eulitz on a flight to Kyiv in 2019. He was following the chatter about an ambitious new techno club: one without a name, yet full of promise. During a residency at the Goethe Institut Kyiv, Eulitz witnessed the transformation of a massive, Soviet era brewery into this no name cluba centre of subculture intent on rivalling the best techno churches of the Western world. This landmark site,
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