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22 is unique among his works in that it makes no use of borrowed materials
placing it in a rhythmic
Sonia Morales and the late professor Roberto Milano
with Kathleen Jones
Canfield: Concerto after Elgar for Alto Saxophone and Piano Instrument_Cello 22 is unique among hisCode: JP4124 ISMN: 979 0 3019 0675 0 Although cast in the traditional three movements, Concerto after Elgar contains little that is traditional in form in any of its movements, any more than is the case in Elgar's own concertos. Each movement in the work contains a sequence of slower and faster sections, and each begins with an orchestral introduction and ends with a quick flurry of notes. The second movement is essentially two movements conflated
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